The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 108
... spaces . But in this undertaking he is forced to lean on architectonic perspective as on a crutch . Without those columns and cornices that flee into the back- ground , Tintoretto's brush would fall into the abyss of that hollow space ...
... spaces . But in this undertaking he is forced to lean on architectonic perspective as on a crutch . Without those columns and cornices that flee into the back- ground , Tintoretto's brush would fall into the abyss of that hollow space ...
Pagina 112
... space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour . The painter has thrown his head back , half - closed his eyelids , and between ...
... space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour . The painter has thrown his head back , half - closed his eyelids , and between ...
Pagina 113
... space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the subject ...
... space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the subject ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young