The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 108
In the canvases of the Escorial he constructs great empty spaces . But in this
undertaking he is ... He does not seek empty space ; in him there remains the
intention to capture the corporeal , filled volume . While Velásquez , in The
Ladies in ...
In the canvases of the Escorial he constructs great empty spaces . But in this
undertaking he is ... He does not seek empty space ; in him there remains the
intention to capture the corporeal , filled volume . While Velásquez , in The
Ladies in ...
Pagina 112
Between the eye and the bodies is interposed the most immediate object : hollow
space , air . Floating in the air , transformed into chromatic gases , formless
pennons , pure reflections , things have lost their solidity and contour . The
painter ...
Between the eye and the bodies is interposed the most immediate object : hollow
space , air . Floating in the air , transformed into chromatic gases , formless
pennons , pure reflections , things have lost their solidity and contour . The
painter ...
Pagina 113
The premises formulated in our first paragraphs may seem to imply that the
evolution had terminated when we arrive at the painting of hollow space . The
point of view , transforming itself from the multiple and proximate to the single and
distant ...
The premises formulated in our first paragraphs may seem to imply that the
evolution had terminated when we arrive at the painting of hollow space . The
point of view , transforming itself from the multiple and proximate to the single and
distant ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
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