The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 173
This is a point of capital importance , upon which , in my judgment , we must set
ourselves in radical opposition to the entire philosophical tradition and make up
our minds to deny that thought , in any sufficing sense of the word , was given to ...
This is a point of capital importance , upon which , in my judgment , we must set
ourselves in radical opposition to the entire philosophical tradition and make up
our minds to deny that thought , in any sufficing sense of the word , was given to ...
Pagina 179
under the necessity of organizing his psychic activities , which are not very
different from those of the anthropoid , in the form of thought - which is what the
animal does not do . Man , then , rather than by what he is , than by what he has ...
under the necessity of organizing his psychic activities , which are not very
different from those of the anthropoid , in the form of thought - which is what the
animal does not do . Man , then , rather than by what he is , than by what he has ...
Pagina 180
When the Greeks discovered that man thought , that there existed in the universe
that strange reality known as thought ( until then man had not thought , or , like
the bourgeois gentilhomme , had done so without knowing it ) , they felt such an ...
When the Greeks discovered that man thought , that there existed in the universe
that strange reality known as thought ( until then man had not thought , or , like
the bourgeois gentilhomme , had done so without knowing it ) , they felt such an ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young