The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 41
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
Pagina 79
... tion and pressing interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to ...
... tion and pressing interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to ...
Pagina 171
... to describing what he sees , says in his most recent book , on the dwarfs of the Congo3 : 3. Bambuti , die Zwerge des Congo , 1932 . They completely lack the power of concentra- tion . They The Self and the Other 171.
... to describing what he sees , says in his most recent book , on the dwarfs of the Congo3 : 3. Bambuti , die Zwerge des Congo , 1932 . They completely lack the power of concentra- tion . They The Self and the Other 171.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young