The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 41
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
Pagina 56
... tion , and refining the taste , of their readers . Each work that is better than a previous one is detrimen- tal to this and all others of the same level . Triumph cannot help being cruel . As the victor wins the battle at the cost of ...
... tion , and refining the taste , of their readers . Each work that is better than a previous one is detrimen- tal to this and all others of the same level . Triumph cannot help being cruel . As the victor wins the battle at the cost of ...
Pagina 74
... tion , it is true - as the string of a necklace , the ribs of an umbrella , the poles of a tent . My thesis is that in the novel the so - called dra- matic interest has no aesthetic value but forms a mechanical necessity . The reason ...
... tion , it is true - as the string of a necklace , the ribs of an umbrella , the poles of a tent . My thesis is that in the novel the so - called dra- matic interest has no aesthetic value but forms a mechanical necessity . The reason ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth