The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 36
... traditional playwright expects us to take his personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such- that is , as ideas or pure patterns ...
... traditional playwright expects us to take his personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such- that is , as ideas or pure patterns ...
Pagina 41
... traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault ...
... traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault ...
Pagina 125
... traditional weapons ; but when we take them up , we find that they are rubber daggers , inade- quate gestures , theatrical " props " which shatter on the hard bronze of our future , of our problems . And suddenly we feel disinherited ...
... traditional weapons ; but when we take them up , we find that they are rubber daggers , inade- quate gestures , theatrical " props " which shatter on the hard bronze of our future , of our problems . And suddenly we feel disinherited ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young