The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 6
When a man dislikes a work of art , but understands it , he feels superior to it ; and
there is no reason for indignation . But when his dislike is due to his failure to
understand , he feels vaguely humiliated and this rankling sense of inferiority
must ...
When a man dislikes a work of art , but understands it , he feels superior to it ; and
there is no reason for indignation . But when his dislike is due to his failure to
understand , he feels vaguely humiliated and this rankling sense of inferiority
must ...
Pagina 12
That is why modern art divides the public into two classes , those who understand
it and those who do not understand it - that is to say , those who are artists and
those who are not . The new art is an artistic art . I do not propose to extol the new
...
That is why modern art divides the public into two classes , those who understand
it and those who do not understand it - that is to say , those who are artists and
those who are not . The new art is an artistic art . I do not propose to extol the new
...
Pagina 137
In this book , no less solemnly , I said that the theme of our time consists in
reducing pure reason to “ vital reason . ” Has anyone yet tried - not to draw the
most immediate consequences from this phrase , but simply to understand its
meaning ?
In this book , no less solemnly , I said that the theme of our time consists in
reducing pure reason to “ vital reason . ” Has anyone yet tried - not to draw the
most immediate consequences from this phrase , but simply to understand its
meaning ?
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |