The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 107
... unity ; this is composition , or architecture . He continues to paint one object after another , like a primitive ; his visual apparatus func- tions on the same principle . But instead of limiting himself , like the primitive , to paint ...
... unity ; this is composition , or architecture . He continues to paint one object after another , like a primitive ; his visual apparatus func- tions on the same principle . But instead of limiting himself , like the primitive , to paint ...
Pagina 109
... unity and fosters the illusion of a single point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are ...
... unity and fosters the illusion of a single point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are ...
Pagina 110
... unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro imposes a unique point of view . The painter must now see his entire work as immersed in the ample ...
... unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro imposes a unique point of view . The painter must now see his entire work as immersed in the ample ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth