The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 111
The chiaroscurist , already less taken with corporeality , lets his ray of vision
travel , as along a railway track , with the light ray that migrates from one surface
to the next . Velásquez , with formidable audacity , executes the supreme gesture
of ...
The chiaroscurist , already less taken with corporeality , lets his ray of vision
travel , as along a railway track , with the light ray that migrates from one surface
to the next . Velásquez , with formidable audacity , executes the supreme gesture
of ...
Pagina 112
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round body , but into a mere surface that
intercepts vision . The point of view has been retracted , has placed itself farther
from the ...
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round body , but into a mere surface that
intercepts vision . The point of view has been retracted , has placed itself farther
from the ...
Pagina 114
If we eliminate this - for example , by blinking the eyes — we have only oblique
vision , those side - views “ from the tail of the eye ” which represent the height of
disdain . Thus , the third dimension disappears and the field of vision tends to ...
If we eliminate this - for example , by blinking the eyes — we have only oblique
vision , those side - views “ from the tail of the eye ” which represent the height of
disdain . Thus , the third dimension disappears and the field of vision tends to ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |