The dehumanization of art, and other writings on art and culture |
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Pagina 79
Some vital interests that are not too narrow and oppressive are required for
organizing our contemplation; they must limit and articulate it by imposing upon it
a perspective of attention. With respect to the countryside the hunter that hunts for
...
Some vital interests that are not too narrow and oppressive are required for
organizing our contemplation; they must limit and articulate it by imposing upon it
a perspective of attention. With respect to the countryside the hunter that hunts for
...
Pagina 137
In this book, no less solemnly, I said that the theme of our time consists in
reducing pure reason to "vital reason." Has anyone yet tried— not to draw the
most immediate consequences from this phrase, but simply to understand its
meaning?
In this book, no less solemnly, I said that the theme of our time consists in
reducing pure reason to "vital reason." Has anyone yet tried— not to draw the
most immediate consequences from this phrase, but simply to understand its
meaning?
Pagina 140
For the imperative of intellectual and abstract ethics is substituted the inner,
concrete, vital imperative. Man recognizes his I, his unique vocation, only through
the liking or aversion aroused in him by each separate situation. Unhappiness,
like ...
For the imperative of intellectual and abstract ethics is substituted the inner,
concrete, vital imperative. Man recognizes his I, his unique vocation, only through
the liking or aversion aroused in him by each separate situation. Unhappiness,
like ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |