The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 79
... vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside the hunter that ...
... vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside the hunter that ...
Pagina 137
... vital " in juxtaposition , as my formula proposes . No one , in short , has talked about my " ratio - vitalism . " And even now , after I have emphasized it , how many can understand it , can understand the Critique of Vital Reason ...
... vital " in juxtaposition , as my formula proposes . No one , in short , has talked about my " ratio - vitalism . " And even now , after I have emphasized it , how many can understand it , can understand the Critique of Vital Reason ...
Pagina 140
... vital imperative , the has to be of personal vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- voked by our basic being ...
... vital imperative , the has to be of personal vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- voked by our basic being ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth