The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 79
... vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside the hunter that ...
... vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside the hunter that ...
Pagina 137
... vital " in juxtaposition , as my formula proposes . No one , in short , has talked about my " ratio - vitalism . " And even now , after I have emphasized it , how many can understand it , can understand the Critique of Vital Reason ...
... vital " in juxtaposition , as my formula proposes . No one , in short , has talked about my " ratio - vitalism . " And even now , after I have emphasized it , how many can understand it , can understand the Critique of Vital Reason ...
Pagina 140
... vital imperative , the has to be of personal vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- voked by our basic being ...
... vital imperative , the has to be of personal vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- voked by our basic being ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young