The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 79
Some vital interests that are not too narrow and oppressive are required for
organizing our contemplation ; they must limit and articulate it by imposing upon it
a perspective of attention . With respect to the countryside the hunter that hunts
for ...
Some vital interests that are not too narrow and oppressive are required for
organizing our contemplation ; they must limit and articulate it by imposing upon it
a perspective of attention . With respect to the countryside the hunter that hunts
for ...
Pagina 137
In this book , no less solemnly , I said that the theme of our time consists in
reducing pure reason to “ vital reason . ” Has anyone yet tried - not to draw the
most immediate consequences from this phrase , but simply to understand its
meaning ?
In this book , no less solemnly , I said that the theme of our time consists in
reducing pure reason to “ vital reason . ” Has anyone yet tried - not to draw the
most immediate consequences from this phrase , but simply to understand its
meaning ?
Pagina 140
So let there be no confounding the ought to be of morality , which inhabits man ' s
intellectual region , with the vital imperative , the has to be of personal vocation ,
situated in the most profound and primary region of our being . All the things of ...
So let there be no confounding the ought to be of morality , which inhabits man ' s
intellectual region , with the vital imperative , the has to be of personal vocation ,
situated in the most profound and primary region of our being . All the things of ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young