The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 42
... whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin to the odium professionis of medieval monks - that aversion , after long years of monastic ...
... whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin to the odium professionis of medieval monks - that aversion , after long years of monastic ...
Pagina 64
... whole and used as a springboard from which the drama or adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an audience of simple souls given to passion rather than to ...
... whole and used as a springboard from which the drama or adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral , an audience of simple souls given to passion rather than to ...
Pagina 109
... whole ; or , in other words , they are not pictorial principles . Each sec- tion of the picture is painted without their inter- vention . Compared to them , chiaroscuro signifies a radical and more profound innovation . When the eye of ...
... whole ; or , in other words , they are not pictorial principles . Each sec- tion of the picture is painted without their inter- vention . Compared to them , chiaroscuro signifies a radical and more profound innovation . When the eye of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young