The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 17
... word is emptied of its customary meaning . That is to say , in the scale of realities “ lived ” real- ity holds a ... words , the human point of view is that in which we " live " situations , persons , things . And , vice versa ...
... word is emptied of its customary meaning . That is to say , in the scale of realities “ lived ” real- ity holds a ... words , the human point of view is that in which we " live " situations , persons , things . And , vice versa ...
Pagina 57
... words . What is the difference be- tween such a report and the novel itself ? Certainly not the style . The crucial ... word would be " pre- sentative . " The imperative of the novel is autopsy . No good telling us what a person is ...
... words . What is the difference be- tween such a report and the novel itself ? Certainly not the style . The crucial ... word would be " pre- sentative . " The imperative of the novel is autopsy . No good telling us what a person is ...
Pagina 61
... words and in this form holds no interest . A summary narration is not to our taste ; we want the novelist to linger ... word " episode " is absurd ; a work made of episodes would be like a meal composed of side dishes . ) And I ...
... words and in this form holds no interest . A summary narration is not to our taste ; we want the novelist to linger ... word " episode " is absurd ; a work made of episodes would be like a meal composed of side dishes . ) And I ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth