Æsthetic AnalysisThomas Y. Crowell Company, 1963 - 211 pagine |
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Pagina 30
David Wright Prall. complexes can be made into such complexes ; and only complexes of such elements can be intelligibly ... complex sonorities of great music . And it is with . sharp perception of such isolated elements that the æsthetic ...
David Wright Prall. complexes can be made into such complexes ; and only complexes of such elements can be intelligibly ... complex sonorities of great music . And it is with . sharp perception of such isolated elements that the æsthetic ...
Pagina 87
... complex , there is no complex present , no structural whole and hence no æsthetic surface at all . But Mr. Birkhoff's analysis of polygons should not , in fairness , be considered at this mere abstract level . It is enormously valuable ...
... complex , there is no complex present , no structural whole and hence no æsthetic surface at all . But Mr. Birkhoff's analysis of polygons should not , in fairness , be considered at this mere abstract level . It is enormously valuable ...
Pagina 140
... complex forms that have been built up out of them in the historical develop- ment of the arts , or been taken over from more or less complex natural or useful forms , either simplified or elab- orated . For the relevance of the analysis ...
... complex forms that have been built up out of them in the historical develop- ment of the arts , or been taken over from more or less complex natural or useful forms , either simplified or elab- orated . For the relevance of the analysis ...
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absolute pitch abstract accent acquaintance actual adequate aesthetic æsthetic content apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length LIBRARIES PURDUE loudness means Mediant merely musical scale nature notes obvious octave one-two organism particular perception phatically physical pitch intervals pitch pattern pitch relations plain Polyclitus present processes PURDUE LIBRARIES qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant surface syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words