A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 4
... A. C. Bradley , in his famous lecture " Poetry for Poetry's Sake " ( 1901 ) , uses the term " significant form " to epitomize that unity : There is no such thing as mere form in poetry . All form is expression . . . . So that what you ...
... A. C. Bradley , in his famous lecture " Poetry for Poetry's Sake " ( 1901 ) , uses the term " significant form " to epitomize that unity : There is no such thing as mere form in poetry . All form is expression . . . . So that what you ...
Pagina 233
... A. C. Bradley , " Hegel's Theory of Tragedy , " Oxford Lectures on Poetry ( Mac- millan , London , 1950 ) , pp . 71 , 74 . 4. Carroll C. Pratt , Music as the Language of Emotion ( Library of Congress , Washington , D.C. , 1952 ) , p ...
... A. C. Bradley , " Hegel's Theory of Tragedy , " Oxford Lectures on Poetry ( Mac- millan , London , 1950 ) , pp . 71 , 74 . 4. Carroll C. Pratt , Music as the Language of Emotion ( Library of Congress , Washington , D.C. , 1952 ) , p ...
Pagina 538
... Bradley , A. C. " Poetry for Poetry's Sake . " In A. C. Bradley , Oxford Lectures on Poetry . London : Macmillan , 1950 . Brion , Marcel . " Abstract Art . " Diogenes 24 ( 1958 ) . Bywater , William G. Clive Bell's Eye . Detroit : 538 ...
... Bradley , A. C. " Poetry for Poetry's Sake . " In A. C. Bradley , Oxford Lectures on Poetry . London : Macmillan , 1950 . Brion , Marcel . " Abstract Art . " Diogenes 24 ( 1958 ) . Bywater , William G. Clive Bell's Eye . Detroit : 538 ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York