A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 2
... Aristotle contends that music is , in a sense , the most imitative of the arts . " Melodies have the power of representing character in themselves , " he declares . " There seems to be a sort of kinship of harmonies and rhythms to our ...
... Aristotle contends that music is , in a sense , the most imitative of the arts . " Melodies have the power of representing character in themselves , " he declares . " There seems to be a sort of kinship of harmonies and rhythms to our ...
Pagina 4
... Aristotle , with less emphasis upon moral implications , applies the concept of form to art as well as to nature . A statue , for example , is a synthesis of matter and form produced by a purposive human being , while a living organism ...
... Aristotle , with less emphasis upon moral implications , applies the concept of form to art as well as to nature . A statue , for example , is a synthesis of matter and form produced by a purposive human being , while a living organism ...
Pagina 307
... Aristotle further adds that a genuine part of a " whole " cannot retain its own character except in the whole of which it is a part . He also says that removal of a part is apt to make the whole mutilated and any transposition of the ...
... Aristotle further adds that a genuine part of a " whole " cannot retain its own character except in the whole of which it is a part . He also says that removal of a part is apt to make the whole mutilated and any transposition of the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York