A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 194
... Bernard Bosanquet , Three Lecturers on Aesthetic ( Macmillan , London , 1915 ) , pp . 3 , 5 . 2. Bernard Bosanquet , " Croce's Aesthetic , " Proceedings 194 The Matter of the Arts.
... Bernard Bosanquet , Three Lecturers on Aesthetic ( Macmillan , London , 1915 ) , pp . 3 , 5 . 2. Bernard Bosanquet , " Croce's Aesthetic , " Proceedings 194 The Matter of the Arts.
Pagina 195
An Anthology Melvin Miller Rader. 2. Bernard Bosanquet , " Croce's Aesthetic , " Proceedings of the British Academy , Vol . 9 ( 1919–1920 ) , p . 272 . 3. See , for example , Berenson's analysis of the paintings of ... Bernard Bosanquet 195.
An Anthology Melvin Miller Rader. 2. Bernard Bosanquet , " Croce's Aesthetic , " Proceedings of the British Academy , Vol . 9 ( 1919–1920 ) , p . 272 . 3. See , for example , Berenson's analysis of the paintings of ... Bernard Bosanquet 195.
Pagina 416
... BERNARD BOSANQUET Easy and Difficult Beauty The difficulty , amounting for some persons to repellence , which belongs to such beauty as makes the rarer appeal , may take different forms . I ... Bernard Bosanquet: Easy and Difficult Beauty.
... BERNARD BOSANQUET Easy and Difficult Beauty The difficulty , amounting for some persons to repellence , which belongs to such beauty as makes the rarer appeal , may take different forms . I ... Bernard Bosanquet: Easy and Difficult Beauty.
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York