A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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... Bell for British Empire rights to reprint from Art by Clive Bell . The Clarendon Press , Oxford , for permission to reprint from On the Aesthetic Education of Man in a Series of Letters , by Friedrich Schiller , translated by Elizabeth ...
... Bell for British Empire rights to reprint from Art by Clive Bell . The Clarendon Press , Oxford , for permission to reprint from On the Aesthetic Education of Man in a Series of Letters , by Friedrich Schiller , translated by Elizabeth ...
Pagina 283
... Clive Bell ( 1881–1964 ) . Their ideas were greatly influenced by " the Bloomsbury circle , " a group of intimate friends , including the philosopher G. E. Moore , the economist John Maynard Keynes , and the novelist Virginia Woolf . A ...
... Clive Bell ( 1881–1964 ) . Their ideas were greatly influenced by " the Bloomsbury circle , " a group of intimate friends , including the philosopher G. E. Moore , the economist John Maynard Keynes , and the novelist Virginia Woolf . A ...
Pagina 539
... Clive Bell's Aesthetic : Tradition and Significant Form . " JAAC 35 ( 1976 ) . Munro , Thomas . Form and Style in the Arts . Cleveland : Press of Case Western Reserve University , 1970 . " On Clive Bell . " Special Issue , BJA 5 ( 1965 ) ...
... Clive Bell's Aesthetic : Tradition and Significant Form . " JAAC 35 ( 1976 ) . Munro , Thomas . Form and Style in the Arts . Cleveland : Press of Case Western Reserve University , 1970 . " On Clive Bell . " Special Issue , BJA 5 ( 1965 ) ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York