A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 91
... Dionysian duality -- just as procreation depends on the duality of the sexes , involving perpetual strife with only periodically intervening recon- ciliations . The terms Dionysian and Apollinian we borrow from the Greeks , who disclose ...
... Dionysian duality -- just as procreation depends on the duality of the sexes , involving perpetual strife with only periodically intervening recon- ciliations . The terms Dionysian and Apollinian we borrow from the Greeks , who disclose ...
Pagina 95
... Dionysian Greek from the Dionysian barbarian . From all quarters of the ancient world - to say nothing here of the modern - from Rome to Babylon , we can point to the existence of Dionysian festivals , types which bear , at best , the ...
... Dionysian Greek from the Dionysian barbarian . From all quarters of the ancient world - to say nothing here of the modern - from Rome to Babylon , we can point to the existence of Dionysian festivals , types which bear , at best , the ...
Pagina 100
... Dionysian also seemed " titanic " and " bar- baric " to the Apollinian Greek ; while at the same time he could not con- ceal from himself that he , too , was inwardly related to these overthrown Titans and heroes . Indeed , he had to ...
... Dionysian also seemed " titanic " and " bar- baric " to the Apollinian Greek ; while at the same time he could not con- ceal from himself that he , too , was inwardly related to these overthrown Titans and heroes . Indeed , he had to ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York