A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 347
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
Pagina 354
... Distance - limit altogether . " Idealistic Art " suffers consequently under the peculiar difficulty that its excess of Distance turns generally into an under - distanced appeal — all the more easily , as it is the usual failing of the ...
... Distance - limit altogether . " Idealistic Art " suffers consequently under the peculiar difficulty that its excess of Distance turns generally into an under - distanced appeal — all the more easily , as it is the usual failing of the ...
Pagina 542
... Distance . " BJA 17 ( 1977 ) . Bolton , Gavin M. " Psychical Distance in Acting . " BJA 17 ( 1977 ) . Booth , Wayne C. " Control of Distance in Jane Austin's Emma . " In Wayne C. Booth , The Rhetoric of Fiction . Chicago : University of ...
... Distance . " BJA 17 ( 1977 ) . Bolton , Gavin M. " Psychical Distance in Acting . " BJA 17 ( 1977 ) . Booth , Wayne C. " Control of Distance in Jane Austin's Emma . " In Wayne C. Booth , The Rhetoric of Fiction . Chicago : University of ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York