A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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... G. E. M. Anscombe for permission to reprint from Philosophical Investigations by Ludwig Wittgenstein , 1953 . Bell ... Elizabeth M. Wilkin- son and L. A. Willoughby , 1967 , Letter 27 . Constable & Company , Ltd. , for British Empire ...
... G. E. M. Anscombe for permission to reprint from Philosophical Investigations by Ludwig Wittgenstein , 1953 . Bell ... Elizabeth M. Wilkin- son and L. A. Willoughby , 1967 , Letter 27 . Constable & Company , Ltd. , for British Empire ...
Pagina 335
... G. E. M. Anscombe ( Basil Blackwell and Macmillan , Oxford and New York , 1953 ) , p . 208 . 4. See especially Norwood Russell Hanson , " Seeing and Seeing As , " Perception and Discovery ( Freeman , Cooper , San Francisco , 1970 ) ...
... G. E. M. Anscombe ( Basil Blackwell and Macmillan , Oxford and New York , 1953 ) , p . 208 . 4. See especially Norwood Russell Hanson , " Seeing and Seeing As , " Perception and Discovery ( Freeman , Cooper , San Francisco , 1970 ) ...
Pagina 455
... G. E. M. Anscombe ( New York , Macmillan , 1953 ) , pp . 31-36 . A parallel passage is to be found in " The Blue Book " ; see Preliminary Studies for the " Philosophical Investi- gations , " Generally Known as The Blue and Brown Books ...
... G. E. M. Anscombe ( New York , Macmillan , 1953 ) , pp . 31-36 . A parallel passage is to be found in " The Blue Book " ; see Preliminary Studies for the " Philosophical Investi- gations , " Generally Known as The Blue and Brown Books ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York