A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 95
... Greek - in a deeper sense than that in which modern man , speaking of his dreams , ventures to compare himself with Shakespeare . On the other hand , we need not conjecture regarding the immense gap which separates the Dionysian Greek ...
... Greek - in a deeper sense than that in which modern man , speaking of his dreams , ventures to compare himself with Shakespeare . On the other hand , we need not conjecture regarding the immense gap which separates the Dionysian Greek ...
Pagina 357
... Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Otherwise Greek Art , even of a religious type , is remarkable ...
... Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Otherwise Greek Art , even of a religious type , is remarkable ...
Pagina 484
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
... Greek mythology was not only the arsenal of Greek art , but also the very ground from which it had sprung . Is the view of nature and of social relations which shaped Greek imagination and Greek [ art ] possible in the age of automatic ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York