A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 91
... Herbert Read , Art and Society ( Pantheon Books , New York , 1945 ) , p . 92 . I. THE BIRTH OF TRAGEDY 1 FRIEDRICH NIETZSCHE Apollinian and Dionysian Art We shall have gained much for the science of esthetics , once we perceive not ...
... Herbert Read , Art and Society ( Pantheon Books , New York , 1945 ) , p . 92 . I. THE BIRTH OF TRAGEDY 1 FRIEDRICH NIETZSCHE Apollinian and Dionysian Art We shall have gained much for the science of esthetics , once we perceive not ...
Pagina 539
... Herbert Read ) . Orsini , G. N. G. Organic Unity in Ancient and Later Poetics . Carbondale , Ill .: Southern Illinois University Press , 1975 . Osborne , Harold . " Organic Unity Again . " BJA 16 ( 1976 ) . " Ways of Abstraction . " BJA ...
... Herbert Read ) . Orsini , G. N. G. Organic Unity in Ancient and Later Poetics . Carbondale , Ill .: Southern Illinois University Press , 1975 . Osborne , Harold . " Organic Unity Again . " BJA 16 ( 1976 ) . " Ways of Abstraction . " BJA ...
Pagina 552
... Herbert Marcuse , An Essay on Liberation . Boston : Beacon , 1969 . McDermott , John J. The Culture of Experience ... Read , Herbert . The Politics of the Unpolitical . London : Routledge , 1943 . The Grass Roots of Art . New York ...
... Herbert Marcuse , An Essay on Liberation . Boston : Beacon , 1969 . McDermott , John J. The Culture of Experience ... Read , Herbert . The Politics of the Unpolitical . London : Routledge , 1943 . The Grass Roots of Art . New York ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York