A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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An Anthology Melvin Miller Rader. A MODERN BOOK OF ESTHETICS An Anthology Fifth Edition Edited with Introduction and Notes by MELVIN RADER University of Washington HOLT , RINEHART AND WINSTON New York Chicago San Francisco Dallas ...
An Anthology Melvin Miller Rader. A MODERN BOOK OF ESTHETICS An Anthology Fifth Edition Edited with Introduction and Notes by MELVIN RADER University of Washington HOLT , RINEHART AND WINSTON New York Chicago San Francisco Dallas ...
Pagina 490
An Anthology Melvin Miller Rader. 2. In practice I can only relate myself in a human way to a thing when the thing is related in a human way to man . MELVIN RADER AND BERTRAM JESSUP Art in an Age of Science and Technology THE IMPACT of ...
An Anthology Melvin Miller Rader. 2. In practice I can only relate myself in a human way to a thing when the thing is related in a human way to man . MELVIN RADER AND BERTRAM JESSUP Art in an Age of Science and Technology THE IMPACT of ...
Pagina 558
... Melvin Rader , art antidote to mechanization , 495-497 art , science , and technology , 475-476 , 490-497 freedom of art , 497-500 quoted , 490-500 Joyce , James , 9 , 211-212 , 215 , 216 , 439 quoted , 19 Jung , Carl Gustav , 90 , 103 ...
... Melvin Rader , art antidote to mechanization , 495-497 art , science , and technology , 475-476 , 490-497 freedom of art , 497-500 quoted , 490-500 Joyce , James , 9 , 211-212 , 215 , 216 , 439 quoted , 19 Jung , Carl Gustav , 90 , 103 ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York