A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina
... Morris Weitz for permission to reprint " The Role of Theory in Aesthetics " by Morris Weitz , The Journal of Aesthetics and Art Criticism , Vol . 15 ( 1956 ) . Art Education and The Journal of Aesthetic Education for permission to ...
... Morris Weitz for permission to reprint " The Role of Theory in Aesthetics " by Morris Weitz , The Journal of Aesthetics and Art Criticism , Vol . 15 ( 1956 ) . Art Education and The Journal of Aesthetic Education for permission to ...
Pagina 444
... Morris Weitz , for example , has placed it in the forefront of his discussion . However , in that influential and frequently anthologized article , Professor Weitz made no attempt to analyze , clarify , or defend the doctrine itself ...
... Morris Weitz , for example , has placed it in the forefront of his discussion . However , in that influential and frequently anthologized article , Professor Weitz made no attempt to analyze , clarify , or defend the doctrine itself ...
Pagina 459
... Morris Weitz's article " The Role of Theory in Aesthetics . " 1 Weitz's conclusion depends upon two arguments which may be called his " generalization argument " and his " classification argument . " In stating the " generalization ...
... Morris Weitz's article " The Role of Theory in Aesthetics . " 1 Weitz's conclusion depends upon two arguments which may be called his " generalization argument " and his " classification argument . " In stating the " generalization ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York