A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 73
... R. G. Collingwood ( 1889-1943 ) , professor at Oxford University . Because space is limited and Croce is the more original thinker , I have omitted a selection from Collingwood , but I recommend his Principles of Art to anyone who ...
... R. G. Collingwood ( 1889-1943 ) , professor at Oxford University . Because space is limited and Croce is the more original thinker , I have omitted a selection from Collingwood , but I recommend his Principles of Art to anyone who ...
Pagina 528
... Collingwood , R. G. The Principles of Art . Oxford : Clarendon , 1938 . Essays in the Philosophy of Art . Bloomington , Ind .: University of Indiana Press , 1964 . Croce , Benedetto . The Essence of Aesthetics . London : Heinemann ...
... Collingwood , R. G. The Principles of Art . Oxford : Clarendon , 1938 . Essays in the Philosophy of Art . Bloomington , Ind .: University of Indiana Press , 1964 . Croce , Benedetto . The Essence of Aesthetics . London : Heinemann ...
Pagina 539
... Collingwood , R. G. " Form and Content in Art . " In R. G. Collingwood , Essays in the Philosophy of Art . Bloomington , Ind .: Indiana University Press , 1964 . Ekman , Rosalind . " The Paradoxes of Formalism . " BJA 10 ( 1970 ) ...
... Collingwood , R. G. " Form and Content in Art . " In R. G. Collingwood , Essays in the Philosophy of Art . Bloomington , Ind .: Indiana University Press , 1964 . Ekman , Rosalind . " The Paradoxes of Formalism . " BJA 10 ( 1970 ) ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York