A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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... Rudolf Arnheim for permission to reprint " Gestalt Psychology and Artistic Form " by Rudolf Arnheim in Aspects of Form , edited by Lancelot Law Whyte . Copyright 1951 by Percy Lund Humphries and Company , Ltd. International Publishers ...
... Rudolf Arnheim for permission to reprint " Gestalt Psychology and Artistic Form " by Rudolf Arnheim in Aspects of Form , edited by Lancelot Law Whyte . Copyright 1951 by Percy Lund Humphries and Company , Ltd. International Publishers ...
Pagina 233
... Arnheim opposes this theory of expression , which is represented in the present volume by Santayana's account , and ... Rudolf Arnheim , " The Priority of Expression , " Journal of Aesthetics and Art Criticism , Vol . 7 ( 1949 ) , p ...
... Arnheim opposes this theory of expression , which is represented in the present volume by Santayana's account , and ... Rudolf Arnheim , " The Priority of Expression , " Journal of Aesthetics and Art Criticism , Vol . 7 ( 1949 ) , p ...
Pagina 262
... RUDOLF ARNHEIM The Expressiveness of Visual Forms 1. EXPRESSION Every work of art must express something . This means , first of all , that the content of the work must go beyond the ... Rudolf Arnheim: The Expressiveness of Visual Forms.
... RUDOLF ARNHEIM The Expressiveness of Visual Forms 1. EXPRESSION Every work of art must express something . This means , first of all , that the content of the work must go beyond the ... Rudolf Arnheim: The Expressiveness of Visual Forms.
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York