A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 102
... Sophocles ' Antigone is here seen as representative of the Apollin- ian , while Aeschylus ' Cassandra ( in Agamemnon ) is associated with the Dionysian . II . THE WILL TO POWER IN ART 1 Apollinian , Dionysian There are two conditions in ...
... Sophocles ' Antigone is here seen as representative of the Apollin- ian , while Aeschylus ' Cassandra ( in Agamemnon ) is associated with the Dionysian . II . THE WILL TO POWER IN ART 1 Apollinian , Dionysian There are two conditions in ...
Pagina 117
... Sophocles . Oedipus , the son of Laius , king of Thebes , and Jocasta , is exposed as a suckling , because an oracle had informed the father that his son , who was still unborn , would be his murderer . He is rescued , and grows up as a ...
... Sophocles . Oedipus , the son of Laius , king of Thebes , and Jocasta , is exposed as a suckling , because an oracle had informed the father that his son , who was still unborn , would be his murderer . He is rescued , and grows up as a ...
Pagina 234
... Sophocles in particular , in this respect following the lead of Aeschylus , has accepted and worked out in the finest way , is that of the body politic , the opposition , that is , between ethical life in its social universality and the ...
... Sophocles in particular , in this respect following the lead of Aeschylus , has accepted and worked out in the finest way , is that of the body politic , the opposition , that is , between ethical life in its social universality and the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York