A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 241
... abstract ; " form " in its most abstract sense means structure , articulation , a whole resulting from the relation of mutually dependent factors , or more precisely , the way that whole is put together . The abstract sense , which is ...
... abstract ; " form " in its most abstract sense means structure , articulation , a whole resulting from the relation of mutually dependent factors , or more precisely , the way that whole is put together . The abstract sense , which is ...
Pagina 243
... abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all about their operation and then applying our knowledge ...
... abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all about their operation and then applying our knowledge ...
Pagina 302
... abstract is to draw out the essence of a matter . To abstract in art is to separate certain fundamentals from the irrelevant material which surrounds them . An artist may abstract the essential form of an object by freeing it from ...
... abstract is to draw out the essence of a matter . To abstract in art is to separate certain fundamentals from the irrelevant material which surrounds them . An artist may abstract the essential form of an object by freeing it from ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York