A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 156
... actual experience and the enduring fixity of nonoccurrent virtual experience is sufficiently impressive . The virtual experience pre- sented in literary art is far more available for realization than actual life experience . It is not ...
... actual experience and the enduring fixity of nonoccurrent virtual experience is sufficiently impressive . The virtual experience pre- sented in literary art is far more available for realization than actual life experience . It is not ...
Pagina 157
... actual experience . Because it has a public presence it is poten- tially sharable , and because it has a permanent presence it is more available for full realization than actual experience can be . For these reasons , it may not seem ...
... actual experience . Because it has a public presence it is poten- tially sharable , and because it has a permanent presence it is more available for full realization than actual experience can be . For these reasons , it may not seem ...
Pagina 360
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleasant , though fortunately only a passing , illusion . For decorative purposes , in pictorial renderings of vistas , garden ...
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleasant , though fortunately only a passing , illusion . For decorative purposes , in pictorial renderings of vistas , garden ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York