A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 292
... appreciation of most architectural forms . Pictures which would be insignificant if we saw them as flat patterns are ... appreciation of which this knowledge is not necessary : so , though it is not irrelevant to the appreciation of some ...
... appreciation of most architectural forms . Pictures which would be insignificant if we saw them as flat patterns are ... appreciation of which this knowledge is not necessary : so , though it is not irrelevant to the appreciation of some ...
Pagina 294
... appreciation of art is a thing to be ashamed of ; the majority of the charming and intelligent people with whom I am acquainted appreciate visual art im- purely ; and , by the way , the appreciation of almost all great writers has been ...
... appreciation of art is a thing to be ashamed of ; the majority of the charming and intelligent people with whom I am acquainted appreciate visual art im- purely ; and , by the way , the appreciation of almost all great writers has been ...
Pagina 466
... appreciation , just as one cannot always tell whether a given person is a knight or is married . When an object's status depends upon non- exhibited characteristics , a simple look at the object will not necessarily reveal that status ...
... appreciation , just as one cannot always tell whether a given person is a knight or is married . When an object's status depends upon non- exhibited characteristics , a simple look at the object will not necessarily reveal that status ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York