A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 463
... artworld an institution I am saying that it is an established practice . Some persons have thought that an institution must be an established society or corporation , and , consequently , have mis- understood my claim about the artworld ...
... artworld an institution I am saying that it is an established practice . Some persons have thought that an institution must be an established society or corporation , and , consequently , have mis- understood my claim about the artworld ...
Pagina 464
... artworld , because it was there all along . The artworld consists of a bundle of systems : theater , painting , sculp- ture , literature , music , and so on , each of which furnishes an institutional background for the conferring of the ...
... artworld , because it was there all along . The artworld consists of a bundle of systems : theater , painting , sculp- ture , literature , music , and so on , each of which furnishes an institutional background for the conferring of the ...
Pagina 465
... art- world to specified procedures and lines of authority are nowhere codified , and the artworld carries on its business at the level of customary practice . Still there is a practice and this defines a social institution . A social ...
... art- world to specified procedures and lines of authority are nowhere codified , and the artworld carries on its business at the level of customary practice . Still there is a practice and this defines a social institution . A social ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York