A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 161
... beauty whenever the value is unconsciously imputed to the object contemplated and not to the body or mind of the person contemplating . Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal ...
... beauty whenever the value is unconsciously imputed to the object contemplated and not to the body or mind of the person contemplating . Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal ...
Pagina 173
... beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual ...
... beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from sensation to perception is gradual ...
Pagina 533
... Beauty Aldrich , Virgil C. " Beauty as Feeling . " Kenyon Review 1 ( 1939 ) . Alexander , Samuel . Beauty and Other Forms of Value . London : Macmillan , 1933 . Beardsley , Monroe . Aesthetics . New York : Harcourt , 1958 , pp . 502-512 ...
... Beauty Aldrich , Virgil C. " Beauty as Feeling . " Kenyon Review 1 ( 1939 ) . Alexander , Samuel . Beauty and Other Forms of Value . London : Macmillan , 1933 . Beardsley , Monroe . Aesthetics . New York : Harcourt , 1958 , pp . 502-512 ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York