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Risultati 1-3 di 84
Pagina 477
You need have no fear for either reality or truth if the lofty conception of esthetic
semblance which I put forward in the last Letter were to become universal. It will
not become universal as long as man is still uncultivated enough to be in a ...
You need have no fear for either reality or truth if the lofty conception of esthetic
semblance which I put forward in the last Letter were to become universal. It will
not become universal as long as man is still uncultivated enough to be in a ...
Pagina 487
The eye has become a human eye when its object has become a human, social
object, created by man and destined for him. The senses have, therefore,
become directly theoreticians in practice. They relate themselves to the thing for
the ...
The eye has become a human eye when its object has become a human, social
object, created by man and destined for him. The senses have, therefore,
become directly theoreticians in practice. They relate themselves to the thing for
the ...
Pagina 499
In the esthetic expression of evil we do not deny evil, but turn it to interest, and
thus become free. The principle is well expressed by another poet, John Donne,
when he writes: Grief brought to numbers cannot be so fierce, For, he tames it,
that ...
In the esthetic expression of evil we do not deny evil, but turn it to interest, and
thus become free. The principle is well expressed by another poet, John Donne,
when he writes: Grief brought to numbers cannot be so fierce, For, he tames it,
that ...
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A. C. Bradley abstract activity Apollinian appreciation Aristotle artist artworld beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative criticism dance dancer defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians example existence expression external fact feeling G. E. M. Anscombe Greek human ideas imagination imitation individual intuition judgment kind language living look Ludwig Wittgenstein machine material matter means MELVIN RADER merely mind moral Morris Weitz movement nature novel object organic painter painting particular perception person phantasy philosophical physical picture play pleasure poet poetry present principle production psychological pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social Sophocles structure style sublime symbol things tion tragedy unity vision visual whole word world vision