A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 477
... become universal . It will not become universal as long as man is still uncul- tivated enough to be in a position to misuse it ; and should it become universal , this could only be brought about by the kind of culture which would ...
... become universal . It will not become universal as long as man is still uncul- tivated enough to be in a position to misuse it ; and should it become universal , this could only be brought about by the kind of culture which would ...
Pagina 487
... become a human eye when its object has become a human , social object , created by man and destined for him . The senses have , therefore , become directly theoreticians in practice . They relate themselves to the thing for the sake of ...
... become a human eye when its object has become a human , social object , created by man and destined for him . The senses have , therefore , become directly theoreticians in practice . They relate themselves to the thing for the sake of ...
Pagina 499
... become our triumphs in the life of art . Esthetically , we become masters of our troubles , our frustra- tions , our defeats - by becoming interested in them , by making them into works of art instead of merely suffering them . Art is ...
... become our triumphs in the life of art . Esthetically , we become masters of our troubles , our frustra- tions , our defeats - by becoming interested in them , by making them into works of art instead of merely suffering them . Art is ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York