A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 78
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Pagina 350
... character . Its peculiarity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the practical , concrete nature of its appeal , without , however , thereby losing its original ...
... character . Its peculiarity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the practical , concrete nature of its appeal , without , however , thereby losing its original ...
Pagina 485
... character of every epoch revived perfectly true to nature in child nature ? Why should the social childhood of mankind , where it had obtained its most beautiful develop- ment , not exert an eternal charm as an age that will never ...
... character of every epoch revived perfectly true to nature in child nature ? Why should the social childhood of mankind , where it had obtained its most beautiful develop- ment , not exert an eternal charm as an age that will never ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York