A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 381
... characteristics of things as physical objects — that is , as scientific observation and thought become sophisticated ... characteristic objectivity or out- thereness , which is the aim of the classroom demonstration . Of course , one may ...
... characteristics of things as physical objects — that is , as scientific observation and thought become sophisticated ... characteristic objectivity or out- thereness , which is the aim of the classroom demonstration . Of course , one may ...
Pagina 449
... characteristic of the Poussin painting to its fourth characteristic : the fact that it is a good painting is , he holds , related to the characteristics which we find that it possesses when we contemplate , observe , and study it . Its ...
... characteristic of the Poussin painting to its fourth characteristic : the fact that it is a good painting is , he holds , related to the characteristics which we find that it possesses when we contemplate , observe , and study it . Its ...
Pagina 451
... characteristics listed is necessarily a characteristic of a work of art . " 19 However , as we have seen , Professor Ziff's description of the Poussin painting was not actually confined to noting the specific qualities which were ...
... characteristics listed is necessarily a characteristic of a work of art . " 19 However , as we have seen , Professor Ziff's description of the Poussin painting was not actually confined to noting the specific qualities which were ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York