A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 426
... common with B ; B a quality in common with C ; C a quality in common with D ; D a quality in common with E ; while at the same time no quality can be found which belongs in common to any three objects in the series . " Nevertheless , as ...
... common with B ; B a quality in common with C ; C a quality in common with D ; D a quality in common with E ; while at the same time no quality can be found which belongs in common to any three objects in the series . " Nevertheless , as ...
Pagina 432
... common thing which I — for some reason — was unable to express ; but that he is now to employ those examples in a particular way . Here giving examples is not an indirect means of explaining - in default of a better . For any general ...
... common thing which I — for some reason — was unable to express ; but that he is now to employ those examples in a particular way . Here giving examples is not an indirect means of explaining - in default of a better . For any general ...
Pagina 446
... common to all who bear a family resem- blance to each other : they are related through a common ancestry . Such a relationship is not , of course , one among the specific features of those who share a family resemblance ; it nonetheless ...
... common to all who bear a family resem- blance to each other : they are related through a common ancestry . Such a relationship is not , of course , one among the specific features of those who share a family resemblance ; it nonetheless ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York