A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina 148
... complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap . Nevertheless , they too are obliged to think ...
... complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap . Nevertheless , they too are obliged to think ...
Pagina 198
... complete without minds , but minds , again , are not complete without things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of satisfactory ...
... complete without minds , but minds , again , are not complete without things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of satisfactory ...
Pagina 463
... complete knowledge of certain recently developed subsystems or genres such as dada and happenings . Even if our knowledge is not as complete as we wish it were , however , we do have substantial information about the sys- tems of the ...
... complete knowledge of certain recently developed subsystems or genres such as dada and happenings . Even if our knowledge is not as complete as we wish it were , however , we do have substantial information about the sys- tems of the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York