A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 339
... concept . Third Moment : Purposiveness Without Purpose [ When the form of the object arouses the harmonious play of imagination and understanding , there is beauty . Rather than an extraneous purpose , there is a design enjoyed simply ...
... concept . Third Moment : Purposiveness Without Purpose [ When the form of the object arouses the harmonious play of imagination and understanding , there is beauty . Rather than an extraneous purpose , there is a design enjoyed simply ...
Pagina 431
... concept of number as in spin- ning a thread we twist fibre on fibre . And the strength of the thread does not reside ... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers ...
... concept of number as in spin- ning a thread we twist fibre on fibre . And the strength of the thread does not reside ... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers ...
Pagina 439
An Anthology Melvin Miller Rader. tions for the application of a concept can be stated , the concept is a closed one . But this can happen only in logic or mathematics where concepts are constructed and completely defined . It cannot ...
An Anthology Melvin Miller Rader. tions for the application of a concept can be stated , the concept is a closed one . But this can happen only in logic or mathematics where concepts are constructed and completely defined . It cannot ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York