A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 123
... conscious subject . This consciousness is contradicted by my experience — that is , I have a new per- sonal experience , something not given in the social world of poetry . Therefore I desire what is called self - expression but is ...
... conscious subject . This consciousness is contradicted by my experience — that is , I have a new per- sonal experience , something not given in the social world of poetry . Therefore I desire what is called self - expression but is ...
Pagina 164
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do , apprecia ...
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do , apprecia ...
Pagina 483
... consciousness . The mode of production in material life conditions ( bedingt ) the social , political , and intellectual life processes in general . It is not the consciousness of men that determines their being , but , on the contrary ...
... consciousness . The mode of production in material life conditions ( bedingt ) the social , political , and intellectual life processes in general . It is not the consciousness of men that determines their being , but , on the contrary ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York