A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 374
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more in- voluntary will be the imitation . Conversely , the more involuntary the ...
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more in- voluntary will be the imitation . Conversely , the more involuntary the ...
Pagina 376
... contemplation of the very movement that releases the desire for imitation . So this desire needs no further satisfaction , and in particular not the satisfaction afforded by the kinesthetic events occurring in one's own body . The ...
... contemplation of the very movement that releases the desire for imitation . So this desire needs no further satisfaction , and in particular not the satisfaction afforded by the kinesthetic events occurring in one's own body . The ...
Pagina 378
... contemplation and into esthetic enjoyment . It abso- lutely belongs to the nature of esthetic contemplation to eliminate them . And it is the duty of scientific esthetics and necessary for its sound devel- opment , that it gradually ...
... contemplation and into esthetic enjoyment . It abso- lutely belongs to the nature of esthetic contemplation to eliminate them . And it is the duty of scientific esthetics and necessary for its sound devel- opment , that it gradually ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York