A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 406
... Contextualism is the youngest of the relatively adequate world views and is still in its tentative stages . But ... contextualist is a gourmand for experience . The stress is on the experience , the unique quality of the experience ...
... Contextualism is the youngest of the relatively adequate world views and is still in its tentative stages . But ... contextualist is a gourmand for experience . The stress is on the experience , the unique quality of the experience ...
Pagina 411
... contextualism is that the last two , practical activity and analysis , when carefully applied , can be powerful agents ... contextualist should exploit . The integration he should stress is an integra- tion of conflicts . The techniques ...
... contextualism is that the last two , practical activity and analysis , when carefully applied , can be powerful agents ... contextualist should exploit . The integration he should stress is an integra- tion of conflicts . The techniques ...
Pagina 415
... contextualist has given us an empirical basis for this belief . But even if the contextualist does not care to take full advantage of his discovery , he has uncovered a new function for the critic . That is to con- tribute as far as he ...
... contextualist has given us an empirical basis for this belief . But even if the contextualist does not care to take full advantage of his discovery , he has uncovered a new function for the critic . That is to con- tribute as far as he ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York