A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 69
... created fragment is then in its turn contemplated , judged , and either approved or altered until found satisfactory ... creation - contemplation - judgment and correc- tion or approval — is repeated again and again until the musical ...
... created fragment is then in its turn contemplated , judged , and either approved or altered until found satisfactory ... creation - contemplation - judgment and correc- tion or approval — is repeated again and again until the musical ...
Pagina 240
... created is not the same in any two distinct arts —this is , in fact , what makes them distinct - but the principle of creation is the same . And " living form ” means the same in all of them . A work of art is an expressive form created ...
... created is not the same in any two distinct arts —this is , in fact , what makes them distinct - but the principle of creation is the same . And " living form ” means the same in all of them . A work of art is an expressive form created ...
Pagina 260
... created anew , and establish and follow their own laws . It is undeniable that certain periods — and the most fortunate ones have established clearly defined patterns or standards which give the artist a basis on which to create freely ...
... created anew , and establish and follow their own laws . It is undeniable that certain periods — and the most fortunate ones have established clearly defined patterns or standards which give the artist a basis on which to create freely ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York