A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 299
... critic speaking recently in London dwelt at length upon " horizontality " and " verticality " as finalities in art . Throwing upon a screen reproductions of one work by Jackson Pollock , and one page from the ancient Irish " Book of ...
... critic speaking recently in London dwelt at length upon " horizontality " and " verticality " as finalities in art . Throwing upon a screen reproductions of one work by Jackson Pollock , and one page from the ancient Irish " Book of ...
Pagina 384
... critic should seek to answer three questions : What was the artist trying to do ? Did he succeed in doing it ? Was ... critic . " Beardsley seeks to answer the question : What critical reasons 384 THE STANDARDS OF THE CRITIC Beardsley ...
... critic should seek to answer three questions : What was the artist trying to do ? Did he succeed in doing it ? Was ... critic . " Beardsley seeks to answer the question : What critical reasons 384 THE STANDARDS OF THE CRITIC Beardsley ...
Pagina 390
... critic may reply once more : " The detail is excessive because it distracts the reader from those elements in the work ( elements of plot , perhaps ) that would otherwise give it a fairly high degree of unity , " or perhaps , " The ...
... critic may reply once more : " The detail is excessive because it distracts the reader from those elements in the work ( elements of plot , perhaps ) that would otherwise give it a fairly high degree of unity , " or perhaps , " The ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York