A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
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Pagina 163
... Criticism , and the word is still retained as the title for the reasoned appreciation of works of art . We could hardly speak , how- ever , of delight in nature as criticism . A sunset is not criticized ; it is felt and enjoyed . The ...
... Criticism , and the word is still retained as the title for the reasoned appreciation of works of art . We could hardly speak , how- ever , of delight in nature as criticism . A sunset is not criticized ; it is felt and enjoyed . The ...
Pagina 454
... criticism . I do not wish to be taken as denying the importance of criticism , nor as belittling the contribution which a thorough acquaintance with the prac- tice of criticism in all of the arts may make to general esthetic theory ...
... criticism . I do not wish to be taken as denying the importance of criticism , nor as belittling the contribution which a thorough acquaintance with the prac- tice of criticism in all of the arts may make to general esthetic theory ...
Pagina 544
An Anthology Melvin Miller Rader. CHAPTER 11 : THE STANDARDS OF THE CRITIC Is the Intention of the Artist Relevant to Interpretation and Criticism ? Aiken , Henry David . " The Aesthetic Relevance of the Artist's Intentions . " J. Phil ...
An Anthology Melvin Miller Rader. CHAPTER 11 : THE STANDARDS OF THE CRITIC Is the Intention of the Artist Relevant to Interpretation and Criticism ? Aiken , Henry David . " The Aesthetic Relevance of the Artist's Intentions . " J. Phil ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York