A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 18
... define art have not succeeded , not that every definition in the future must fail . Perhaps a more complex definition or , as Mandelbaum thinks , a definition based on nonmanifest characteristics , will ultimately suffice . We should try to ...
... define art have not succeeded , not that every definition in the future must fail . Perhaps a more complex definition or , as Mandelbaum thinks , a definition based on nonmanifest characteristics , will ultimately suffice . We should try to ...
Pagina 437
... define what cannot be defined , to state the necessary and sufficient properties of that which has no necessary and sufficient properties , to conceive the concept of art as closed when its very use reveals and demands its openness ...
... define what cannot be defined , to state the necessary and sufficient properties of that which has no necessary and sufficient properties , to conceive the concept of art as closed when its very use reveals and demands its openness ...
Pagina 459
... defined occurs in Morris Weitz's article " The Role of Theory in Aesthetics . " 1 Weitz's conclusion depends upon two arguments which may be called his " generalization argument " and his " classification argument . " In stating the ...
... defined occurs in Morris Weitz's article " The Role of Theory in Aesthetics . " 1 Weitz's conclusion depends upon two arguments which may be called his " generalization argument " and his " classification argument . " In stating the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York