A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 92
... dreams and comprehend . The truest human fancy seems to be revealed to us in dreams : all poems and versification are but true dreams ' interpretation.3 The beautiful illusion of the dream worlds , in the creation of which every man is ...
... dreams and comprehend . The truest human fancy seems to be revealed to us in dreams : all poems and versification are but true dreams ' interpretation.3 The beautiful illusion of the dream worlds , in the creation of which every man is ...
Pagina 98
... dream analogy may throw some light on the naïve artist . Let us imagine the dreamer : in the midst of the illusion of the dream world and without disturbing it , he calls out to himself : " It is a dream , I will dream on . " What must ...
... dream analogy may throw some light on the naïve artist . Let us imagine the dreamer : in the midst of the illusion of the dream world and without disturbing it , he calls out to himself : " It is a dream , I will dream on . " What must ...
Pagina 128
... dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . " A dream consists of two layers . Obvious is the manifest content . We are walking by the seaside , a ship ...
... dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . " A dream consists of two layers . Obvious is the manifest content . We are walking by the seaside , a ship ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York